Algae in the ocean fixes more carbon dioxide than all the plants on the land.

How to Culture Algae

Read this first

Science fair students and their parents, start here

Students: everything you need is on this page. Read it top to bottom. It is written so you can do this yourself, and doing it yourself is the entire point of a science fair. If you get stuck after reading, write to us and tell us what you tried. We answer students.

Parents: you are welcome to read every word of this. Please do. But this is not your project, it is your student's project. If you call us with their questions, and then have them call us back with the same questions, karma is going to come and find you. Hand them the page instead. They are more capable than you think, and the judges can always tell.

Looking for a project idea rather than a how-to? Jump to Science fair projects that actually work.

How to Culture Algae

Algae are the easiest living things you will ever grow. They need five things: a container, water, salts, nutrients, and light. Get those five right and the algae does the rest.

This page is the whole story, start to finish, written by the people who grow it for a living. Every section answers the question on its own. Follow the links at the end of a section when you want to go deeper.

Just opened a box from us?

Go straight to the instructions for your kit. Then come back to the rest of the page when you want to know why any of it works.

One

What am I even growing?

"Algae" is not a scientific group. It is a loose word for plant-like things that live in water and photosynthesize. The word covers organisms as different from each other as you are from a mushroom. Some are bacteria. Some are protists. Some are close relatives of land plants.

What they share is the trick: they take light, water and carbon dioxide, and build themselves out of it. That is why growing them is so simple. You are not feeding them. You are giving them light and getting out of the way.

The algae we sell are microalgae, single cells you cannot see without a microscope, floating free in the water. A healthy culture looks like green paint. A very healthy culture looks like dark green paint. That colour is billions of cells per litre.

The five things algae need

  • A container. Almost anything that holds water and lets light in.
  • Water. Chlorine free. That is the one rule.
  • Salts. The minerals dissolved in the water. To an alga, salts are what soil is to a land plant.
  • Nutrients. Nitrogen, phosphorus, trace metals and vitamins. The fertilizer.
  • Light. Twelve hours a day, on a timer, not too bright, not too hot.

That is it. There is no sixth thing.

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Two

Pick your strain

Start with what you want to do, not with what sounds interesting. Three strains cover almost every classroom and home project.

The three that beginners should choose from

  • Spirulina (Arthrospira platensis). The forgiving one. It lives at pH 10, which is so alkaline that almost nothing else can compete with it, so your culture stays clean. Its trichomes are 20 to 1,000 micrometres, big enough to see and big enough to catch in a screen. It is the only strain we sell that you can harvest with a net. It is also the one people eat.
  • Nannochloropsis sp. The fast one. A 2 micrometre marine cell that grows quickly, makes a lot of oxygen, and responds visibly to changes in light, salinity, nutrients and toxins. That responsiveness makes it the best strain for experiments. It will not settle out on its own, because the cell surface carries a negative charge and the cells repel each other.
  • Chlorella vulgaris. The freshwater workhorse. Tough, fast, and it settles obligingly to the bottom when it is ripe, which makes it easy to concentrate without a centrifuge. This is the alga inside our algae beads.

If you are not sure, grow Nannochloropsis

It is hard to kill, it grows fast enough that a school project finishes on time, and it reacts to whatever you change. If your goal is to watch something happen, this is the strain.

Quick reference by strain

Our strains and the media each one needs. Salinity figures are the ARS salt blends.
Strain Group Media Worth knowing
Arthrospira platensis (spirulina) Cyanobacteria ARS Spirulina / alkali, 15 g/L pH 9.9 to 10.4. Screen harvestable. Edible. Best at 25 to 30 C.
Anabaena variabilis Cyanobacteria ARS Freshwater, 1 g/L Fixes nitrogen. Used for bloom modelling.
Chlorella vulgaris Green alga ARS Freshwater, 1 g/L Settles when ripe. The alga in our algae beads.
Chlorella pyrenoidosa Green alga ARS Freshwater, 1 g/L Close relative of C. vulgaris, same handling.
Scenedesmus Green alga ARS Freshwater, 1 g/L Forms four-cell colonies. Good under the microscope.
Chlamydomonas reinhardtii Green alga ARS Freshwater, 1 g/L Motile, two flagella. The lab-rat alga of genetics.
Haematococcus pluvialis Green alga ARS Freshwater, 1 g/L Turns red under stress. Source of astaxanthin.
Nannochloropsis sp. Green alga ARS Seawater, 30 g/L 2 micrometres. Fast. Will not settle. Dies above 40 C.
Tetraselmis chuii Green alga ARS Seawater, 30 g/L Motile, four flagella. High EPA and DHA. Aquaculture feed.
Isochrysis galbana Haptophyte ARS Seawater, 30 g/L Golden brown. Standard shellfish hatchery feed.
Porphyridium cruentum Red alga ARS Seawater, 30 g/L Deep red. Makes a polysaccharide that thickens the culture.
Thalassiosira pseudonana Diatom ARS Seawater, 30 g/L, plus silica Needs silica to build its glass shell. Grow in glass flasks so it can scavenge more.
Dunaliella salina Green alga Hypersaline, well above seawater No cell wall. Goes pink with beta carotene under salt stress.
Pyrocystis fusiformis Dinoflagellate ARS Seawater, 30 g/L Bioluminescent. Wants dim light and about 20 C. Handle gently.
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Three

What you actually need to buy

Less than you think. Here is the honest list, in the order it matters.

A container

Algae will grow in almost anything. What changes with size is how light gets in and how you mix it.

  • Under 100 mL. A 50 mL centrifuge tube. Cheap, stands in a rack, good for running many treatments at once.
  • Around 500 mL. A Beaker Bag or a recycled drinking water bottle with the lid resting on, not screwed down. This is the sweet spot for a classroom or a science fair.
  • 1 to 10 litres. An Erlenmeyer flask or a tissue culture flask with a vented cap. Erlenmeyers swirl properly, which is why we use them.
  • 10 gallons. A plain glass aquarium is the workhorse. Cheap, light gets in from every side.
  • Bigger than that. Now light is your limit, not volume. The middle of a deep tank is dark. You need to mix, or go shallow and wide.

Light

An LED shop light and a timer. A single 36 watt LED shop light will run an entire classroom's worth of cultures. See section four for how close to put it.

Salts and nutrients

Buy the pre-measured salts for your strain and a vial of nutrients. You can mix your own from recipes, and we publish ours, but a bag of salts costs less than the chemicals and takes no time.

A Secchi Stick

Two dollars. It tells you how dense your culture is. It is the single most useful tool on this list and it costs less than a coffee. A spectrophotometer does the same job for three thousand dollars.

What we sell for each of these

You do not have to buy any of it from us. These are the versions we make and use ourselves.

ARS Secchi Stick

Secchi Stick

Measures how dense your culture is. The one tool we would not go without.

From $2.00

View and add
Benchtop Algae Light

Benchtop Algae Light

Built for cultures, not for houseplants. Put it on a 12 hour timer.

From $35.95

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Beaker Bags

Beaker Bags

500 mL, graduated, stands up on its own, and a kid cannot break it.

From $2.95

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f/2 nutrient media

f/2 Nutrient Media

The fertilizer. One millilitre per litre. One bottle grows 50 litres.

From $4.95

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Seawater culture salts

Seawater Salts

30 g/L, buffered. For every marine strain we sell.

From $3.95

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Freshwater culture salts

Freshwater Salts

1 g/L. Yes, freshwater algae still needs salts. See section five.

From $2.95

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Spirulina alkali culture salts

Spirulina Alkali Salts

15 g/L. The pH 10 chemistry that keeps spirulina clean.

From $3.50

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Complete media kit

Complete Media Kit

Salts and nutrients together, pre-measured. The no-thinking option.

From $7.99

View and add

Things you probably do not need

  • A heater. Only if your room drops below about 18 C at night. Most classrooms do not.
  • An air pump. Below about a litre, shaking the bottle once a day does the same job. Above that, an air stone bubbling gently is worth it.
  • A microscope. Lovely to have, not required. The colour of the culture tells you most of what you need.
  • A CO2 system. No. Our salts carry a carbon buffer that supplies carbon for several batches.
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Four

Light

This is where most cultures are lost, and almost never for the reason people expect. The problem is rarely too little light. It is heat.

The number to aim for

Somewhere between 100 and 300 micromoles of photons per square metre per second. Most of our strains saturate around 120, meaning that past that point extra light buys you very little extra growth.

If you have no light meter, put the culture close enough to an LED shop light that the light is clearly bright on it, but not touching the bulb. That lands you in range.

What the numbers look like in real life

Rough light levels, in micromoles of photons per square metre per second.
Where Roughly Verdict
Direct summer sun, noon 2,000 to 2,500 Far too much for a small culture. See the warning below.
Direct sun through window glass 1,200 Still too much, and the glass traps heat.
Bright LED panel, close 400 More than you need, fine if the culture stays cool.
Standard LED or fluorescent shop light, close 150 About right. This is the target.
20 cm from that same shop light 50 Low. Growth will be slow but steady.
North facing windowsill varies, often 50 to 200 Often perfect, and no heat problem.

Direct sunlight is a heat problem, not a light problem

Sunlight carries a large amount of infrared energy along with the visible light. In a small volume there is not enough water to absorb that heat, so the culture temperature climbs fast. Below roughly 40 litres, do not put a culture in direct sun, and never if the container is sealed. A sealed bottle on a sunny windowsill can reach a lethal temperature in a single afternoon. Most algae die at 38 to 40 C.

The flip side is worth knowing. A dense culture shades itself, so the cells near the middle are protected, and a large dense culture can take full sun happily as long as the water stays below about 32 C. A thin, young culture has no such protection. That is why we tell everyone to keep new cultures in dim light for the first two days.

What kind of light

  • White LED. What we use. Efficient, long lived, very little waste heat, and the culture still looks green, which matters because green is how you judge health at a glance. Lighting from below looks great.
  • Red and blue LED. Even more efficient, because they skip the green light algae mostly reflect. The downside is that your culture looks black and you lose your best health indicator.
  • Fluorescent. Works well, little waste heat, but the tubes last about two years and contain mercury, so they must be recycled.
  • Incandescent. No. Too much heat for the light you get.

Twelve hours on, twelve hours off

Put the light on a timer. Algae respire in the dark, the same as you do, and a dark period is normal and healthy. Running lights around the clock does not double your growth and it does raise your heat risk.

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Five

Water, salts and nutrients

Water: the one rule

Chlorine free. Chlorine and chloramine are added to municipal water specifically to kill microorganisms, and your algae is a microorganism.

  • Bottled water works, and spring water is the best of the bottled options. This is the easiest right answer.
  • Well water is fine.
  • Carbon filtered tap water removes chlorine.

Chloramine is not chlorine

Many water systems, particularly across the US southwest, use chloramine instead of chlorine. An activated carbon filter does not reliably remove chloramine, and letting the water stand overnight does not either. If your utility uses chloramine, use bottled water. This catches people out constantly.

Salts: the soil of the system

Salts are the physical and chemical environment. To an alga, dissolved salts are what soil is to a land plant. Our blends also carry a heavy carbon buffer, which slows pH swings and supplies carbon dioxide for photosynthesis, so our media holds denser cultures than plain seawater would.

ARS salt blends. Each bag is pre-measured, and the amount is printed on the label.
Blend Salinity What it recreates Use it for
Seawater salts 30 g/L Ocean water, buffered All marine strains
Brainy Briny salts 40 to 45 g/L A diluted Great Salt Lake Brine shrimp with algae
Spirulina / alkali salts 15 g/L A volcanic soda lake Spirulina only
Freshwater salts 1 g/L A mineral-rich lake All freshwater strains

A small amount of salt in freshwater media looks wrong, and is not. Those minerals supply trace elements and a carbon buffer that keeps pH stable. Distilled water alone grows almost nothing.

If your water turns white, nothing is wrong

Some carbonate salts precipitate out when they dissolve. Let the container stand undisturbed for 24 hours, carefully pour the clear water off the top into a clean container, and throw the white sludge away. Then carry on. This is normal and it is not a defective bag of salts.

Nutrients: the fertilizer

Nutrients are what the cells build themselves out of: nitrate, phosphate, iron, a handful of trace metals, and vitamins. Our f/2 is a modified version of the Guillard and Ryther formula from 1962, adjusted so it works in fresh water as well as seawater.

  • Dose: 1 mL of nutrients per litre of media. For a 5 gallon bucket, that is about 50 mL.
  • You are very unlikely to overdose it. Toxicity does not start to appear until around 30 mL per litre, thirty times the normal dose. If you are worried you added too much, you almost certainly did not.
  • After harvesting spirulina, replace 1 mL of nutrients for every 1 litre of culture you took out.
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Six

Starting your culture

The day the box arrives

  1. Open the box right away. Do not leave it on a hot porch or in a car.
  2. Crack the bottle cap about a sixteenth of a turn. Not off, just loose. The culture needs to exchange gas with the air.
  3. Put it somewhere you could comfortably read a book. Room light. Not a dark cupboard, not a sunny windowsill.
  4. Start within 24 to 48 hours if you can. Opened and lit, a culture will hold for about a week, but sooner is better.

Making media

  1. Dissolve the salts. Pour the bag into the right volume of chlorine free water and stir with a clean spoon until it is gone.
  2. Deal with any precipitate. If it went white, stand it 24 hours, decant the clear water, discard the sludge.
  3. Add the nutrients. One millilitre per litre. This is now called media. Store spare media somewhere cool and dark.

Inoculating

Inoculating just means adding your starter culture to the fresh media. There are two rules, and between them they prevent most failures we hear about.

The rule of one fifth

Never dilute your algae by more than four fifths. One part algae to four parts fresh media is as far as you go in one step.

Algae condition their own water. A dense culture is a chemically friendly place, and the cells keep it that way. Dilute it too far in one jump and the population is too sparse to hold its own environment, so it stalls or crashes. Patience here costs you nothing and saves the culture.

The ten percent daily rule

Once it is growing, add about 10 percent more media per day. The culture stays at roughly the same density while the total volume climbs. Keep an eye on it with the Secchi Stick and adjust.

This is how you get from a 50 mL starter to a full tank without ever shocking the culture.

  1. Pour just enough media to cover the bottom of the vessel. You are not filling it. You are starting small and growing into the volume.
  2. Add air and heat if you are using them. Bubble gently, just enough to make the media roll over. Hard bubbling shears cells.
  3. Add the culture and mix.
  4. Dim light for the first two days. The cells are adjusting. Bright light now is a stress, not a help.
  5. Then move it into full light on a 12 hour timer, and shake or stir it at least once a day.

What happens next, and when

Every batch culture goes through the same four phases. Knowing them stops you worrying in week one and stops you being surprised in week four.

  • Lag phase, day 1 to 10. Nothing visible happens. The culture is adapting. This is the phase people phone us about. It is normal. Wait.
  • Exponential phase. The bloom. Growing as fast as conditions allow, and visibly greener by the day. Mix often.
  • Stationary phase. Growth flattens because something has run out: light, carbon, or nutrients. The culture is at its densest.
  • Decline. The crash. Resources are exhausted and biomass sinks. This is a normal end, not a failure. Refresh with new media and it comes back.

Keep a backup

Hold back about half a litre of healthy culture in a separate container under dim light and leave it alone. If your main culture crashes, you restart from the backup in an afternoon instead of reordering. Everyone who grows algae for a living does this.

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Seven

Is it working? The Secchi Stick

"Is it growing?" is the most common question we get, and the answer is almost never a judgement call. Measure it.

A Secchi Stick is a black and white pattern on a ruler. You lower it into the culture until the pattern just disappears, and you read the depth. That depth is the Secchi Disk Depth, and it is a real measurement of optical density. Denser culture, shallower reading.

  1. Lower the stick into the culture until you can only just make out the black and white pattern.
  2. Read the depth in millimetres. That is your SDD.
  3. Write it down with the date. One reading tells you nothing. A column of readings tells you everything.

We have measured our own strains against dry weight and cell count, so a Secchi reading converts to real biomass numbers. Those calibration charts are on the site for Nannochloropsis, Chlorella vulgaris and spirulina.

How dense is dense?

Dry weight of algal biomass in different systems, for scale.
System Dry weight
Open ocean about 0.0001 g/L
Coastal ocean about 0.01 g/L
A coastal or lake algae bloom about 0.1 g/L
A culture as we ship it to you 0.05 to 0.2 g/L
A good laboratory photobioreactor about 1 g/L

A healthy culture in a classroom is growing somewhere between 5 and 40 percent per day. A bottle that looks the same shade of green on Friday as it did on Monday is worth investigating. A bottle that is visibly darker is doing exactly what it should.

If you want the real numbers

  • Secchi Stick, about $2. Optical density. Good enough for almost everything.
  • Hemocytometer, $30 to $300. Counts actual cells under a microscope.
  • Dry weight, free but fiddly. Filter a known volume, rinse the salts off, dry at 100 C for about half an hour, weigh it immediately. Rinsing matters. If you skip it you weigh the salt.
  • Spectrophotometer, $3,500 and up. Absorbance at 750 nm. Precise, and mostly unnecessary.

Growth rate, if you need it for a report, is the specific growth rate: μ = ln(N2 / N1) / (t2 − t1), where N is your biomass measure and t is time.

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Eight

When it goes wrong

Work down this list in order. The order matters, because it moves from most likely to least likely.

Nothing is happening

How long has it been? Lag phase runs 1 to 10 days. If it has been three days, wait. This is the single most common false alarm we get.

After that, check in this order:

  1. Light. Is it actually bright on the culture, 12 hours a day, on a timer? Too dim is more common than too bright.
  2. Temperature. Feel the bottle. Cold rooms slow everything down. Below about 18 C, growth crawls.
  3. Water. Was it definitely chlorine free? Chloramine is the usual culprit and it is invisible.
  4. Nutrients. Did they actually go in? One millilitre per litre. It is an easy step to skip.
  5. Mixing. Shake it daily. Cells sitting still sit in their own exhausted water.

It went yellow, brown or pale

Colour loss means stress. Diagnose in this order:

  1. Look at it under a microscope if you have one. Things swimming that should not be there means a grazer got in.
  2. Light. Too much light bleaches pigment. Move it further from the lamp.
  3. Temperature. Did it get hot? Over about 38 to 40 C most algae die, and pigment goes first.
  4. Nutrients. An old culture that has used everything up goes pale. Add fresh media.

It went orange or bright yellow after a hot day

That is heat damage. Above roughly 104 F the pigment proteins denature. The culture is usually gone. Restart from your backup, and move it out of the sun.

Everything sank to the bottom

Sinking usually means the culture is starved, has finished its run, or both. Stressed cells produce sticky polysaccharides and clump together, and clumps sink. Try adding fresh media first. If it comes back, it was nutrients.

For Chlorella, settling at the end of a run is normal and is actually convenient, because it concentrates the harvest for you. For Nannochloropsis, settling is a warning sign, because a healthy Nannochloropsis culture will not settle.

Something is growing that I did not order

Contamination shows up as a colour that does not belong, a smell, a film on the glass, or specks you can see swimming. Options, in increasing order of effort:

  • Filter the air going in. Four layers of paper towel taped over the air pump inlet stops a surprising amount.
  • Dilute hard and keep the light up. A vigorous algae culture outcompetes a lot of things.
  • Start over from your backup. Often faster than fighting it.
  • Switch to spirulina if contamination keeps beating you. At pH 10 almost nothing else survives, which is exactly why we recommend it for difficult conditions.

Is my algae dead?

If it is green, it is alive. That is the short answer and it is right most of the time. Shake it, put it in good light, give it fresh media, and wait a week before giving up on it. Algae are far harder to kill than people expect.

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Nine

Harvesting

Getting algae out of water is harder than growing it. The cells are tiny, they are nearly the same density as the water, and there are a lot of them.

Screening, and why it only works for spirulina

The tightest mesh you can practically pour a culture through is about 30 micrometres. Anything finer clogs instantly. Spirulina trichomes are 20 to 1,000 micrometres, so they catch. Every other strain we sell is smaller than the mesh and goes straight through.

To harvest spirulina: pour the culture slowly through the harvesting screen. Keep the media that runs through and return it to the tank. Rinse the algae on the screen with cold tap water. When it starts behaving like a paste, it is done. Replace 1 mL of nutrients for every litre you took out.

Letting it settle

Free and slow. Chlorella settles willingly once it is ripe. Nannochloropsis will not, no matter how long you wait, because the cells carry a negative surface charge and repel each other.

Centrifuging

Fast, effective, expensive. A benchtop centrifuge handles small volumes. Flow-through and decanter centrifuges handle real volumes and cost real money.

Semi-continuous harvesting

The practical approach if you want a steady supply rather than one big harvest. When the culture reaches stationary phase, take half the volume, top it back up with fresh media, and the half you left behind is the inoculum for the next round. You never start over.

You know it is at stationary phase when the Secchi reading has been stable for two or three days and the colour is deep.

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Ten

Science fair projects that actually work

A good algae project has one thing you change, one thing you measure, and enough repeats that the result means something. Algae is nearly ideal for this, because you can run eight identical bottles on a windowsill and change one variable across them.

Make a parent culture first

Make one large bottle of culture, then pour it out into your individual test containers. Every container now starts identical, and you can honestly say so in your write-up. Judges notice this. Teachers running a class of 40 students should do the same thing.

Projects that work

  • Light intensity. Place bottles at measured distances from one lamp. Measure Secchi depth daily. Plot growth against distance. Simple, reliable, and it produces a real curve.
  • Light colour. Same bottles, coloured filters. Green light should perform worst, because that is the colour algae reflect rather than absorb.
  • Temperature. Several bottles held at different temperatures. Growth peaks then falls off a cliff. The cliff is the interesting part.
  • Salinity tolerance. A series of bottles from fresh to full seawater. Different strains draw the line in different places.
  • Toxicology, an LC50. A dilution series of some household substance, measuring at what concentration half the culture dies. This is a real technique used by real laboratories, and our Experiment Kit is built for it.
  • Is my local water already fertilized? Culture water from a local pond or creek, half of it with added nutrients and half without. If both grow the same, that water already has all the nutrients it needs, which tells you something real about your neighbourhood.
  • Grazing and predator-prey. Algae and brine shrimp together in a Beaker Bag. Count shrimp, measure algae, watch the two populations chase each other.

A worked example, start to finish

This is a complete project. If you follow it exactly you will have a real result, a real graph, and something honest to say at the table. Change the variable if you want a different question. The shape stays the same.

Worked example

Does the amount of light change how fast algae grows?

If algae needs light to make its own food, then algae closer to a lamp should grow faster than algae further away, up to the point where more light stops helping.

What you are changing, and what you are measuring

  • Independent variable (the thing you change): distance from the lamp.
  • Dependent variable (the thing you measure): Secchi Disk Depth, which tells you how dense the culture is.
  • Controls (the things you keep the same): same strain, same starting density, same media, same temperature, same 12 hour light cycle, same container, measured at the same time each day.

What you need

  • One culture of Nannochloropsis sp.
  • Seawater salts and f/2 nutrients
  • Eight identical containers. Beaker Bags or eight identical clean water bottles.
  • One lamp, an LED shop light or an algae light
  • A timer
  • A Secchi Stick
  • A ruler or tape measure
  • A notebook

Setting it up

  1. Make one big batch of media. Chlorine free water, salts, and nutrients at 1 mL per litre. Make more than you think you need.
  2. Make a parent culture. Add your algae to that whole batch and mix it thoroughly. Everything now comes from one pot.
  3. Pour equal amounts into all eight containers. Measure it, do not eyeball it. Every container now starts identical, and you can say so in your write-up.
  4. Line them up at measured distances from the lamp. For example 5, 10, 20, 30, 45, 60, 90 and 120 cm. Two containers at the same distance is even better, because a repeat at each distance is stronger than a single bottle.
  5. Put the lamp on a timer, 12 hours on and 12 hours off.
  6. Check the temperature of the containers nearest the lamp on day one. If they are warmer than the far ones, you have accidentally added a second variable. Move the lamp back or add a small fan, and say so in your report.

Running it

  1. Every day at the same time, gently swirl each container and take a Secchi reading.
  2. Write down the date, the time, the distance, and the reading in millimetres. Every single day, including the days nothing happens.
  3. Expect nothing for the first few days. Lag phase runs 1 to 10 days. Do not change anything, and do not throw it out.
  4. Keep going for at least two weeks after the cultures start to green up.

What you should see

Growth should rise sharply as you move from the dimmest position toward the lamp, and then flatten out. That flattening is light saturation, and for most of our strains it happens somewhere around 120 micromoles of photons per square metre per second. Past that point, extra light stops buying extra growth.

The containers closest to the lamp may do worse than the ones slightly further back. That is not a mistake in your experiment. That is either photoinhibition, where too much light damages the cell, or heat. Working out which one it was is the most interesting sentence in your whole report.

Making the graph

Two graphs tell the story:

  • Growth over time. Days along the bottom, Secchi reading up the side, one line per distance. This shows the lag, the bloom and the flattening.
  • Growth against distance. Distance along the bottom, growth rate up the side. This is the one that shows saturation, and it is the graph that makes the point.

If you want a growth rate number rather than a raw reading, use the specific growth rate: μ = ln(N2 / N1) / (t2 − t1), where N is your measurement and t is the day.

A realistic timeline

  • Week 0 Order the culture and the supplies. Read this page.
  • Day 1 Make media, make the parent culture, split it, set up the lamp.
  • Days 1 to 7 Lag phase. Measure daily anyway. Nothing much happens and that is fine.
  • Days 7 to 21 The bloom. This is where your data comes from.
  • Days 21 to 28 Things flatten out. Keep measuring until the readings stop changing.
  • Last week Graphs, write-up, board.

Give yourself four weeks from the day the box arrives. Three is tight. Two will not work, and no amount of phoning us will make the algae go faster.

Things that will go wrong, and what to do

  • Nothing is growing after a week. Normal. See When it goes wrong before you panic.
  • One container crashed. Report it honestly and leave it out of the average, saying why. Judges respect that far more than a suspiciously clean dataset.
  • They all grew about the same. Your distances were probably too close together, or the room light was swamping the lamp. Spread them out further, or run it in a darker room.
  • Keep a backup. Hold half a litre of culture aside under dim light. If the whole thing dies the week before the fair, you are not starting from an order form.

How to present it honestly

Say what you changed, what you measured, what you kept the same, and how many containers you ran. Show your raw data table, not just the graph. If something went wrong, put it on the board. A project that says "the two closest bottles overheated, so I excluded them and here is why" is a better project than one that pretends it did not happen.

Projects that usually fail, and why we will tell you so

Some projects sound great and do not work in ten weeks on a kitchen counter. Lipid accumulation for biofuel is the usual one. It needs equipment you do not have, and even a professional lab with a half-time technician would have a good chance of getting nothing in that window. If you write to us with a plan, we will tell you honestly whether it will work, and suggest something that will. We would rather do that than sell you a kit for a project that disappoints you.

How to build a question in the first place

Observe something. Ask why it is like that. Then design the simplest possible test that would tell you. That is the whole method, and it is better than picking a project off a list.

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Eleven

Instructions for your kit

These are the short versions. Everything above explains why each step is there.

Brainy Briny Beaker Bag

Algae and brine shrimp together. Photosynthesis, respiration, grazing, ecosystems and trophic energy transfer in one bag.

  1. Open the bag. You may need to blow into it like a balloon.
  2. Add chlorine free water to the 450 mL mark.
  3. Add the salts and shake until dissolved.
  4. Pour in the entire flask of algae. Shake to mix.
  5. Place 1 to 5 cm from an LED or CFL bulb, 12 hours a day. Do not let the bag touch the lamp. Keep it out of the sun.
  6. Keep it between 24 and 33 C.
  7. Measure the algae with the Secchi Stick. Use the 1 mm grid to count and size the brine shrimp.

Separate salts and cysts? Add the cysts 3 to 7 days after the algae, so you can watch the algae establish before the grazers arrive. Cysts hatch in 1 to 4 days, faster when warmer.

The shrimp ate all my algae. They will. Then they starve back, and the algae in the creases of the bag blooms again. That is a predator-prey cycle, and it is the best thing this kit does.

1.7 mL Culture Kit

The smallest kit. One flask, one strain, minimal fuss.

  1. Pour the bag of salts into a half litre bottle of drinking water. Shake until dissolved.
  2. Add the entire vial of nutrients. This is now your media. Store spare media cool and dark.
  3. Fill the culture flask two thirds full, about 50 mL.
  4. Add the inoculum, cap it, and shake.
  5. Dim light for two days, then full light on a 12 hour timer. No direct sun.
  6. Shake it at least once a day.
  7. About two weeks after it blooms, discard half and refill with fresh media to keep it in log phase.

1 and 5 Gallon Culture Kit

Enough volume to feed a tank, run a class, or scale up from.

  1. Dissolve the bag of salts in the right volume of chlorine free water.
  2. If it turns white, stand it 24 hours, decant the clear water, discard the precipitate.
  3. Add the entire vial of nutrients. This is your media.
  4. Add enough media to the tank to cover the bottom and allow mixing, about 6 L for the 5 gallon.
  5. Bubble in enough air to gently roll the media. Gently.
  6. Add the inoculum. Dim light for two days, then 12 hours a day on a timer.
  7. After 2 to 4 days it leaves lag phase. Now add 10 to 20 percent more culture volume per day until you reach the volume you want.
  8. Track it with the Secchi Stick, and pH and salinity if you have the meters.
  9. Refresh regularly with new media, or harvest.

Spirulina Farming Kit

A working spirulina farm. Grow, harvest, recycle the media, repeat.

  1. Read sections one to six of this page first, then the 1 and 5 gallon instructions.
  2. Make down the media the same way, using the alkali salts at 15 g/L.
  3. Keep it mixed with an air stone.
  4. Run it at 75 to 90 F, that is 25 to 32 C.
  5. Add 10 to 20 percent more media daily while it builds volume.
  6. Check it: pH should sit between 9.9 and 10.4, density between 10 and 15 g/L.
  7. When it is thick enough, harvest through the screen. Keep the media that runs through.
  8. Blow down and waste 10 to 20 percent of the recycled media, top back up, and replenish nutrients at 1 mL per litre harvested.

That high pH is a feature. Almost nothing else can live there, so your culture stays clean with no sterile technique at all.

Algae Beads

Concentrated Chlorella vulgaris set in alginate gel, with a pH indicator that changes colour as carbon dioxide moves in and out of the water. Photosynthesis and respiration you can watch in a single class period.

  1. Place beads 0 to 2 cm from an LED lamp for the fastest colour change.
  2. Keep them between 0 and 35 C. Store at about 20 C.
  3. Colour changes usually take 15 to 60 minutes.
  4. Vary the distance from the lamp to vary light intensity, or move beads between vials to vary biomass.

They are alive. Room temperature and room light on the bench is fine. You can refrigerate them a week or two, but they get no light and they will be unhappy about it. Above 42 C the proteins denature and the beads are dead, which is itself a nice enzyme kinetics demonstration at 0, 10, 30 and 50 C.

Disposal: down the drain. Chlorella is not invasive. The indicator solution is not for drinking.

Experiment Kit

Eight tubes, four sets of salts and nutrients, a pipette and a Secchi Stick. Built for dose-response experiments. The classic is an LC50 for household bleach: the concentration at which half the biomass dies.

  1. Make one 500 mL bottle of culture following the small kit instructions.
  2. Pour off about 50 mL to make room, then add about 25 mL of algae culture. This bottle is now your parent culture.
  3. Label the eight tubes and fill each with 50 mL from the parent. Every tube is now identical.
  4. Record the starting colour of each tube.
  5. Leave tube one as your control with nothing added.
  6. Add increasing amounts of diluted bleach to tubes two through eight.
  7. Record colour at 10 minutes and again at 24 hours.
  8. The concentration where half the green is gone is your LC50.

Still stuck?

Write to us. Tell us which strain you have, how long it has been going, what the light and temperature are, and what colour it is right now. Those four things let us answer in one reply instead of five.

Students: write to us yourself. We would much rather hear from you than from your parent.

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